Poetry collections:
The Blue Bed (Spuyten Duyvil, 2021)
Wild Domestic (Sheep Meadow Press, 2015)
Poems published in journals:
Poems from “Here We Are,” a pandemic poem diary, Another Chicago Magazine, December 31, 2020.
“Maternal,” The Florida Review, Fall 2019.
“Nick” and “Beret,” Yale Review, Winter 2019.
“Sacrificial,” Gettysburg Review, Spring 2018.
“Dinner Observations,” “Which Is It?” and “Summer’s End,” American Poetry Review, November/December 2017.
“Orfeo in the Snow,” Sow’s Ear Poetry Review, Fall 2017.
“There,” Cave Wall, Summer 2016.
“Moving Houses” and “Barn Paintings,” december, Spring 2016.
“May 2010,” “Monteverdi” and “Family Weather,” Gettysburg Review, Fall 2014.
“My Abductor,” Saranac Review, Fall 2014.
“Mammography,” “Advice to Women Artists,” and “Aria for Castrato,” Calyx, Fall 2014.
“What I Want for My Birthday” and “Earthward,” Isthmus, Winter 2014.
“An Infinite Grace,” poems written to accompany paintings by Jenny Hager, Yew, Fall 2013.
“Ars Poetica” PoetryDaily, February 18, 2013.
“Calatrava” and “Ars Poetica,” Gettysburg Review, Winter 2013.
“The Ardabil Carpet,” The Waiting Room Reader II, Cavan Kerry Press, 2013.
“After Rosenkavalier,” /nor, Fall 2011.
“Assyrian Relief,” “In Warsaw,” and “October Grief,” Raritan, Fall 2011.
“Listening to Orfeo in February,” The American Poetry Review, July/August 2011.
“Numbers,” on display in a juried exhibition, “Fit to Be Bound,” at the Everson Art Museum, Syracuse , New York, in conjunction with drawings by artist Julieve Jubin. April 17-July 11, 2010.
“Memento” and “Arrival in London,” Cave Wall, Fall 2010.
“Princeling,” Fairy Tale Review, The Aquamarine Issue, 2009.
“Omen in Cornwall,” roger: an art &literary magazine, Spring 2009.
“Annunciations,” POOL, 2008.
“Four Rabbits by Soutine,” Ekphrasis, 2008.
“Idyll at Drigg,” “1945,” and “Fish Songs,” Nimrod, Fall 2007.
“Soutine, Two Pheasants on a Table” and “Soutine, Landscape with Trees,” Cimarron Review, Fall 2007.
“The Uncles” and “At MOMA with Shalini,” The Spoon River Poetry Review, Summer/Fall 2006.
“Sketches of a Painter,” “Fantasia,” “Autobiography,” “Kalypso,” “Opa,” “Krolis Thinking About Water in Oma’s Kitchen,” “Annele’s Girl,” “Poem for My Friend, Nearly a Year After Her Death,” and “The Safe House,” Seneca Review (Fall 2001, Fall 1997, Fall 1993, Winter 1988, Spring 1985).
“Family Snapshots, After an Illness,” “Double Glazing,” “Circus of Discontent,” “In a Vulnerable Position,” and “Aide-Memoire,” The American Poetry Review (March/April 2002, March/April 2001, and May/June 1997).
“Dreaming On,” Mochila Review (Spring 2001).
“My Sojourn So Far,” “Sojourn with Moths,” and “Portrait of a Gardener,” Cimarron Review (Winter 2003, Fall 2000)
“Blue Ridge: A Lesson,” “Unknotting” and “Laps After Yom Kippur,” Prairie Schooner (Winter 2004 and Summer 2000)
“Love,” Press (March 1999)
“Three Women,” Mudfish (Fall 1997)
“For Omm Sety,” “Parable,” and “Honeymoon,” Exquisite Corpse (Fall 1996)
“At the Zoo,” “Vincent’s House at Arles,” “Hopper Woman,” and “Fists: A Poem for the Day of Atonement,” Nimrod (October 1996, October 1990 [finalist in both annual competitions])
“The End of Summer,” Antioch Review (Fall 1994)
“Flight,” The Laurel Review (Spring 1989)
“Waking” and “In Lithuania,” CutBank (Spring 1989)
“My Father Walking,” Graham House Review (Spring 1987)